Showing posts with label Martin Scorsese. Show all posts
Showing posts with label Martin Scorsese. Show all posts

Saturday, 7 April 2012

The Lady K Academy Film Awards Day 12 - Best Director and Best Film

The last post in the Lady K Academy Film Awards is upon us. And I have saved the best awards for last. Best Director and Best Film. 


So without further delay I announce the winner of the Best Director is 
Martin Scorsese for Hugo


Anyone who read my review of Hugo back in December will know how passionate I was about the direction of the film and how amazing I thought the 3D was. Well I have recently watched Hugo again, on a 3D TV, and let me tell you, it was just as impressive as it was at the cinema. 

For those who missed it, my review had this to say "Hugo is such a charming film, an absolute pleasure from start to finish. The fact that it was directed by Martin Scorsese makes it all the more incredible. Now I'm not saying old Marty is not a good director. I'm sure we all agree that he has made some magnificent films, but these are films like Taxi Driver, Raging Bull, more recently Gangs of New York and Shutter Island. He's not exactly known for charming kids films. 



The other impressive thing about the film being directed by Martin Scorsese is that this is the first time he's shot a film in 3D. And I think this might be the most impressive use of 3D I have ever seen. Everything pops, like a feast for your eyes, from the dust in the train station to the people on screen, it's a visual treat. Mr Scorsese hasn't gone down the classic route of having things come out of the screen, instead he's just made everything three dimensional. It's honestly amazing use of 3D. If you see Hugo, and I highly recommend you do, you should see it in 3D."

It's such a shame that I can't show you the 3D in the trailer below. Instead I will just have to urge you, if you missed this at the cinema (and how you could have when my review pleaded with you to see it), if you find that the film has a one off 3D showing at your local cinema, maybe on a kids club or such, go and see it! Or if you have a friend with a 3D TV, rent the 3D Blu Ray version of Hugo, take it round, and marvel in it's brilliant storytelling and eye opening use of 3D. The best use of 3D I have EVER seen.




Finally, I present the award for Best Film, which goes to The Help

The Help was not only my highest rated new film of last year, it was also the film that had the biggest emotional impact on me. The performances were all superb, which I have hopefully demonstrated through my awards for Best Actress and Best Supporting Actress both going to artists from The Help. The direction was well informed and considerate towards the subject matter. The script was spot on. And the overall film, which combined all of these elements was a truly wonderful piece of filmmaking.

I think I've said it all but in case you missed this one too, my review had this to say "
The Help left me feeling that I'd just watched a really great film. This is an eye opening story told with such emotion, had me laughing and crying in equal measure, which was so well executed by all involved. It seemed a story which was very dear to the hearts of everyone who had a hand in it, from the actors to the writers and director. It was a story told with such attention to detail and a lot of love.

I can't recommend this film highly enough. Harrowing in places, unafraid to show the bad with the good, but a film which ultimately proves that humanity can be gracious and kind. But without the schmaltz. As near perfect as a new film has gotten for me this year."

A well deserved winner. The trailer is just to prove my point.




Runners Up for Best Director:
J.J. Abrams - Super 8
Nicholas Winding Refn - Drive
Tate Taylor - The Help

Runners Up for Best Film:
Hugo
Drive
Super 8

You know the drill, agree or disagree I want to see your thoughts below!

Tuesday, 20 December 2011

Hugo


Hugo is another film that I knew nothing about until my cinema buddy told me to check out the trailer. Even then, while I wanted to see it, I wasn't overly drawn in. Then as bad luck would have it, I was struck down with a horrible cough almost as soon as Hugo was released. And as I heard more and more good things about it I wanted to see it more and more. In the end I was so concerned that I would miss it that my cough be damned, I went to the cinema to watch it.

Hugo (Asa Butterfield) is the boy of the film's title. Following the untimely death of his father (Jude Law), his uncle (Ray Winstone) takes him to work - and live - in a train station in Paris in the 1930s. After his uncle leaves him there, Hugo decides to stay and carry on winding the clocks, figuring if the clocks are still running, the people at the station will just assume it's his uncle doing the work, and he'll be allowed to stay there, as he has no other home to go to. In his spare time, Hugo is trying to repair an automaton that his father brought home to fix before he died. One day, the toy shop owner Hugo had been stealing parts from, Georges Méliès (Ben Kingsley), decides to steal something from Hugo to make them even. He takes Hugo's notebook, which once belonged to his father, and so begins Hugo's quest to get the book back. Hugo gets a lot more than he bargained for however when Georges past comes to light.

Hugo is such a charming film, an absolute pleasure from start to finish. The fact that it was directed by Martin Scorsese makes it all the more incredible. Now I'm not saying old Marty is not a good director. I'm sure we all agree that he has made some magnificent films, but these are films like Taxi Driver, Raging Bull, more recently Gangs of New York and Shutter Island. He's not exactly known for charming kids films. 

The other impressive thing about the film being directed by Martin Scorsese is that this is the first time he's shot a film in 3D. And I think this might be the most impressive use of 3D I have ever seen. Everything pops, like a feast for your eyes, from the dust in the train station to the people on screen, it's a visual treat. Mr Scorsese hasn't gone down the classic route of having things come out of the screen, instead he's just made everything three dimensional. It's honestly amazing use of 3D. If you see Hugo, and I highly recommend you do, you should see it in 3D.

3D gushing aside, everything about Hugo is a joy. The setting is perfect, the train station is smoggy and dusty and full of fascinating characters. The little passageways that Hugo has to squeeze through in his daily routine of winding the clocks have a maze-like quality to them. The cast is a delight, the previously unknown Asa Butterfield has an innocence about him but also seems like an old head on young shoulders. I don't think Ben Kingsley has been better for many years, finally putting aside his hammier acting and tackling something seriously really pays off. Sacha Baron Cohen is brilliant casting as the Station Inspector, simultaniously making you loathe him for being Hugo's nemesis but also wanting him to get the girl. I can't fault anyone. And it's lovely to see Christopher Lee in the smaller, supporting role of Monsieur Labisse, a likeable character for him for once.

This is the type of film which my mum would say gives you 'the feel good factor', you come away from it feeling somewhat enriched by it. It's also the type of film you could take your kids to and your grandma and each of them would get something out of it. Before it leaves the cinema I urge all of my readers to go and see Hugo (in 3D) and marvel in it's storytelling greatness. 9 out of 10.



Viewing Date - 18th December 2011
UK Release Date - 2nd December 2011

Cast Overview:
Asa Butterfield ~ Hugo Cabret
Ben Kingsley ~ Georges Méliès
Chloë Grace Moretz ~ Isabelle
Sacha Baron Cohen ~ Station Inspector
Helen McCrory ~ Mama Jeanne
Ray Winstone ~ Uncle Claude
Emily Mortimer ~ Lisette
Christopher Lee ~ Monsieur Labisse
Michael Stuhlbarg ~ Rene Tabard
Frances de la Tour ~ Madame Emilie
Richard Griffiths ~ Monsieur Frick
Jude Law ~ Hugo's Father
Kevin Eldon ~ Policeman

Director ~ Martin Scorsese
Writer(s) ~ John Logan (Screenplay) and Brian Selznick (Book)